![]() ![]() Ultra distorted, low-tuned riffs sound punchy and defined, while solos sound three-dimensional. The clean and dirty-ish tones benefit from the clarity of separating out the low-end via the bass- reflex design, but the high gain tones really show off the rewards of this type of system. The amp tones are all warm and lifelike, with plenty of dynamic response and sweet harmonics. You can easily stomp through from your cleans to your crunches to your leads to your epic effects. There’s also a louder version, the VX50 GTV, which has a few more bells and whistles and greater editing capabilities but the same amp models and effects.On the practical side of things, there’s a tuner, an auxiliary input, a headphone/line-out jack with built-in cabinet simulator, a preset mode for recalling your vital settings, and a manual mode which makes the settings reflect the physical knob positions.Īdd a VFS5 footswitch (sold separately), and you can change programs and expand your program memories to eight types. The amp itself is only 15 watts, but it sounds a lot louder and will quite happily share the stage with a band in a small gig environment. ![]() This minimises extraneous vibration and projects more of your sound forward to your audience instead of dissipating some of the energy through cabinet rattles and the like, while the bass-reflex design gives you nice tight lows without forcing them out of the speaker itself. To achieve optimum sound reproduction, Vox has gone for an ultra lightweight sealed body made of ABS with a bass-reflex design. ![]()
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